Traversing Cultural Transmission In Yoruba Musical Genres Between 1970 And 2000: an Examination Of Thematic Values
Published: 2026-04-30
| Author(s): | Odukunle Adebayo Atewolara–Odule & Kamoru Aremu Salaudeen |
| Abstract: | This study investigates the role of Fuji and Juju music in transmitting Yoruba cultural heritage
from 1970 to 2000. As key musical expressions, these genres function as repositories of language,
moral values, historical narratives, and religious beliefs. The study combined content anaylysis of
74 tracks from 66 albums of selected popular Fuji and Juju musicians with three sessions of focus
group discussion of eight participants each and a total of 24 participants. Using textual analysis of
lyrics and Focus Group Discussions (FGDs), the research explores their contribution to cultural
continuity amid globalization. Findings reveal these genres preserve language through proverbs,
idioms, and storytelling; impart moral education emphasizing respect, diligence, and communal
living; document historical events and traditional rulers; and integrate Islamic, Christian, and
traditional Yoruba beliefs for socio-religious reflection. Despite hybridization with Afrobeat and
hip-hop due to generational and technological shifts, Fuji and Juju remain central to Yoruba
identity. The study concludes that targeted efforts in documentation, education, and balanced
modernization are essential for preserving their cultural integrity. Future research should examine
digital media's impact on their accessibility and adaptation. |
| Keywords: | Yoruba music, Fuji, Juju, cultural transmission, functionalism. |
| Edition | NJOMACS Volume 8 No 2, April 2026 |
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| Copyright | Copyright © 2026 Odukunle Adebayo Atewolara–Odule & Kamoru Aremu Salaudeen ![]() This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. |
Journal Identifiers
pISSN: 2635-3091
NJOMACS